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| Until
the fifteenth century, it was the inward-looking Mediterranean sea that
was used for trade between the peoples of Europe and the Levant. Beyond
this space was an enormous expanse of sea that still remained to be discovered,
its full extent unclear and perhaps inhabited by terrible and mythical
creatures.
Situated at the furthest extremes of the European continent and bordered to the west and south by the unknown Atlantic, Portugal and the Portuguese were inevitably the first to venture forth upon the ocean. Their first voyages took them along the west coast of Africa, allowing them to perfect their navigation techniques, which until them had been limited to Mediterranean conditions, to learn more about the winds and set off in other directions. In 1427, at a distance of roughly 1500 km from the European continent, the first Portuguese caravels discovered the archipelago of the Azores, which was soon to play such an important role as a commercial port and cultural bridge between the Old and the New Worlds. And, in this group of nine islands, Angra do Heroísmo, the port on the island of Terceira came to be of such major strategic significance in the context of the great maritime discoveries that in I983 the central area of the city was quite justly added to UNESCO's list of world heritage sites. In
the fifteenth century it was certainly not very easy or comfortable to
sail across the ocean between Lisbon and the Azores in those small caravels,
but nowadays all that it takes is a two-hour plane trip.
This
formidable, vigilant and most effective fortress encircles Monte Brasil
with its 4 kilometre-long wall and its 400 pieces of artillery that protected
the ships returning from the West Indies laden with gold and silver or
from the even more distant India with their cargoes of exotic spices. The
enormous size of this fortress clearly expresses the true dimensions of
a powerful peninsular empire united by the Atlantic shipping routes that
were themselves connected through this archipelago to the very heart of
the kingdom.
From this same viewpoint, with the city of Angra lying below you at your feet, you will see the intersection of the city's two main streets: Rua da Se and Rua Direita, around which, like a chessboard, an interconnecting urban grid has developed, strangely devoid of the mediaeval roots normally seen in the large European cities. This simple geometry made it possible for cities to grow in such a way that they could easily absorb new waves of settlers beyond their existing limits. Amongst some of the most notable features of the city's civil architecture is a series of eighteenth and nineteenth-century buildings, very similar to the houses from the colonial period that are to be found in Brazil, particularly in São Salvador da Baía, a city which is twinned with Angra. In relation to the city's religious architecture, it is a remarkable fact that, at one stage, Angra had as many as nine convents, each with its own cloisters, walls and churches. Most of these churches are from the mannerist and baroque periods and are remarkably grand if we bear in mind the poor quality of the stone to he found on the island. The interior decoration of these churches relied on the use of both the traditional carved and gilded woodwork and the rich and exotic woods of Brazil. As well as these monumental churches, the visitor's attention is also drawn to a number of smaller chapels with large and sometimes bright coloured windows, surmounted by a closed crown. These are the impérios or “empires” of the Holy Ghost, which in their simplicity retain the symbolic memory of a universal empire, united by the tongues of fire that have made communication and solidarity possible between men. Besides
this emblematic and distant significance, there are also churches with
a continuing and lively tradition that naturally derives from such a profoundly
popular cult. The festival of the Divine Holy Ghost, a characteristic feature
of the whole of Terceira island, runs from Whit Sunday to the end of the
summer, always enlivened by the typical soups of the Holy Ghost, accompanied
by different varieties of bread, served as a symbol of the generous distribution
of food amongst the most needy. The festivities are a time of happiness,
with much singing and dancing, and end with the “touradas a corda”, a popular
form of bullfighting that provides a unique spectacle you cannot afford
to miss.
A little further ahead, housed inside the former Convento de Sao Francisco (to which the Igreja da Guia used to belong), is the Museu de Angra. This museum tells the story of the city and has a particularly impressive collection of sixteenth-century paintings. Not far from here, in Largo Prior do Crato, a sixteenth-century building - the Palacio dos Capitaes Generais - is intimately linked to the history of the Azores. This was originally the Jesuit College, before it was abandoned in 1759. When the General Captainship was created in 1766, the building was converted into the residence of the Captain-Generals, who ruled over the military, political and administrative life of the archipelago. The
inside of the building has a rich and extremely beautiful decoration, with
furniture from the seventeenth and eighteenth centuries, porcelain from
the East India Company, painting, sculpture and some delightful examples
of the goldsmith’s art. Close by is the cathedral (from the sixteenth and
seventeenth centuries), which also reveals to us a little of the history
of Angra in its use of exotic woods and inlays, its carved silver and it
sacred art objects. Other similar riches can be seen in the church of the
Jesuit College and the Igreja de Sao Goncalo, in the immediate vicinity
of the cathedral. The Palacio dos Bettencourts is a beautiful seventeenth-century
building, which now houses the public library and the city archives, with
more than 400,000 books and two million documents!
Finally, the visitor may wonder how the word ''Heroísmo'' came to be included in the name of the city. This title was justly bestowed upon the city of Angra by the Queen D. Maria II in the nineteenth century in recognition of the bravery and sacrifice shown in the struggle that ended with the implantation of Liberalism in Portugal. No visitor can come to Angra without also leaving the city to travel around this small island and revel in its green bucolic landscape, interrupted here and there by small lagoons, and full of panoramic views over broad horizons, as well as caves and natural swimming-pools. As in the rest of the Azorean islands, it is still possible here to appreciate and experience the long-lost harmony between man and nature. Text provided by the Portuguese Tourist Office |